In Akụ-luo-ụnọ, Nduka Ikechukwu reflects on the Igbo philosophies of reciprocity, mentorship, and collective progress as pathways to societal regeneration. Inspired by traditional concepts such as Ogbuefi (a title of honor tied to generosity), Igba Bọị (the revered apprenticeship system), and Akụ-luo-ụnọ (the principle of bringing wealth back home), Ikechukwu explores themes of mentorship, trade, and economic resilience. His practice, rooted in material and metaphor, centers around the use of industrial strap belts.

Nduka stitches and weaves industrial strap belts into layered, tactile forms that resemble cloth, tapestry, or terrain. These belts, symbols of labor and endurance, become metaphors for the strength of human relationships and the ties that bind people to place, purpose, and one another. Through his intuitive process, he transforms utilitarian materials into organic configurations that carry the weight of history and the promise of transformation.

The Igbo apprenticeship system, central to Nduka’s inquiry, is one of the most structured and successful informal economies in Africa. It fosters personal growth through shared knowledge, investment in human capital, and a deep sense of accountability to one’s community. In amplifying these values, Akụ-luo-ụnọ proposes a model for sustainable development rooted not in capital alone, but in care, trust, and mutual upliftment.

As economic and moral systems continue to shift globally, Nduka’s work reminds us of the power of cultural inheritance—not as nostalgia, but as strategy. Akụ-luo-ụnọ́ gestures toward futures made stronger by connection, generosity, and a return to collective responsibility.

Wunika Mukan Gallery invites you to experience Akụ-luo-ụnọ́ not only as an exhibition, but as a space for reflection on what we inherit, what we build, and what we owe one another.

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SEE CATALOGUE HERE